The two books I have focussed on this
week are:
Margaret Wild and Anne Spudvilas, Jenny Angel , and
Michael Rosen and Quentin Blake, Michael
Rosen’s Sad Book.
This week’s textbook reading
discussed the need to expose children to complex themes on the journey towards
understanding ‘big ideas and complex thoughts’ in an ‘intellectually honest
form’ (pp. 489 & 494). Both of these
picture books deal with the death of a family member (drawing on each author’s
own experiences) and the emotions and behaviours that may accompany such life
experiences. These are sensitive
accounts that I found evoked powerful emotions and could justifiably be
described as enriching the life of the reader.
In Jenny Angel Wild conveys hope, courage, denial and ultimate
acceptance as a young girl seeks to protect her brother during the course of
his terminal illness. Mention of
every-day activities such as doing the dishes, an English test, playing netball
and swapping sandwiches at lunchtime would help children identify with Jenny
and empathise with her experiences. The story-line is reinforced by the gentle
watercolour illustrations by Spudvilas.
I especially appreciate the way she has tenderly portrayed the
relationship between the children as well as that of Jenny and her mother in
the final image (the shooting star adds to the poignancy of the captured
moment). It is neither a simplistic nor superficial treatment of the subject. Two
of Wild’s other picture books, Old Pig
and The Very Best of Friends are also
powerful representations of similar themes.
Rosen’s account is an honest and at times
humorous account of his grief at the loss of his son, Eddie. He makes strong links between emotions and
behaviour and the complexities therein. This
is exemplified by the juxtaposition between an illustration of the author
grinning and the opening line: ‘This is
me being sad’. He writes in a
matter-of-fact way about the ways that he tries to mask his sadness to make it
more ‘acceptable’ to others, and reflects on some of the ways he tries to cope
with his deep sadness. It offers
children (and adults) a rare and insightful window into grief – a subject that
is so often treated as taboo in our society.
The illustrations by Blake could almost be a stand-alone telling of
Rosen’s story: The blank space after a
series of illustrations portraying Eddie’s growing-up; the series of images in
which the sunlight disappears to shadow; greys in the darkest times and colour
for the happy memories … and the single candle in the concluding image.
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